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When the Media Cheerleads a Live-Streamed Genocide

Ever since Israel launched its murderous assault on Gaza post the Hamas attack of October 7, 2023, large swathes of mainstream Western news media have shown themselves in extremely poor light.
Ever since Israel launched its murderous assault on Gaza post the Hamas attack of October 7, 2023, large swathes of mainstream Western news media have shown themselves in extremely poor light.
when the media cheerleads a live streamed genocide
Demonstrators prepare for a vigil honoring journalists killed in recent Israeli strikes in Gaza at Columbus Plaza near Union Station, Wednesday, Aug. 27, 2025, in Washington. Photo: AP/PTI
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On August 10, 2025, after news broke of Israel killing prominent Al Jazeera journalist Anas al-Sharif and his four colleagues in a targeted attack on a tent just outside the Al-Shifa hospital in Gaza, the New York Times’s report on the murder was headlined as follows:

Israeli Strike Kills Al Jazeera Journalists, Network Says

Anas al-Sharif, a well-known correspondent, was among those killed. Israel said it had targeted Mr al-Sharif, claiming he worked for Hamas, which he had denied. 

That’s vintage NYT.

At the top line, the report seemingly disclaims all knowledge of the killing except via what the ‘network says’. (For all the reader knew, it was just what Al Jazeera claimed.) In the tag-line, the newspaper juxtaposes two dramatically opposed perspectives: Israel claiming al-Sharif ‘worked for Hamas’, and the dead man having denied it. When did al-Sharif’s denial come? Just as Israel snuffed the life out of him? Three days prior, or three weeks, or three months?

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The US’s – arguably the world’s – most widely read English language newspaper, proud bastion of liberal democracy, had no perspective of its own on the targeted killing aside from what the killers claimed and the murdered man’s refutation of that claim. From the blasé tone, it could well have been not a journalist but a stray cat whose death the US’s ‘newspaper of record’ was reporting. Forget entirely about questioning the killers’ action. What if al-Sharif had indeed only pretended to be a journalist all along? After all, the NYT couldn’t but be evenhanded always, even if those killed in the Israeli attack were, for all the world to see, reporting from Gaza’s rubble 24x7 and were in the same trade as the NYT.

And not only that. The report goes on to add that, in October 2024, Israel had accused al-Sharif and five other of Al Jazeera’s reporters of ‘being fighters for Hamas and Palestinian Jihad’. Also that

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(a)t the time, the Israel military distributed what it said were documents seized from Gaza that showed membership lists, phone directories and salary slips for members of the Qassam Brigades and the Al-Quds Brigades, the armed wings of the two groups. The lists included names matching those reporters’. (Emphasis added)

Here the mask finally slips off the NYT’s studied ‘neutrality’. Quite deliberately, the newspaper omits to add if it had reviewed those ‘documents’ for their reliability or coherence, a standard journalistic practice no journalism school anywhere forgets to din into its students. On the contrary, that chilling sentence about the militants’ names matching the journalists’ is a sure give-away that the newspaper wanted its readers to think there might be credible evidence of those killed having been not quite what they masqueraded as. 

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But the NYT went one better that day. Right next to the news of the journalists’ killing, it posted a report on Al Jazeera, the journalists’ employer, with the following headline:

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What to Know about Al Jazeera, the Broadcaster Targeted by Israel

Al Jazeera, five of whose reporters the broadcaster said were killed by an Israeli attack, has angered governments across the region that claim it gives voice to terrorists. The outlet denies that. (Emphasis added)

That, verily, is the coup de grace delivered with a journalistic knife. And that knife is twisted cheerfully,  energetically:

Experts who track the network says its coverage and commentary echo many of Hamas’s claims and increases support for its actions, especially on its Arabic-language channel. 

Of course al-Sharif was an ‘Arabic-language’ reporter, so the NYT's readers are invited to draw their own conclusions. A more masterful manipulation of the reader’s mind is difficult to find even in the NYT’s storied archives. 

This insidiousness has been typical of NYT’s journalism over the past 23 months of the carnage in Gaza. Early on after October 7, 2023, as Pankaj Mishra has reminded us in his profoundly important book The World After Gaza, the newspaper’s editors had expressly advised their staff against using such terms as ‘occupied territory’, ‘refugee camp’ and – god forbid! – ‘ethnic cleansing’.

The idea was to zealously ring-fence the Israeli state against all criticism of its calculated brutality and permit only highly sanitised representations of Gaza’s landscape of misery and devastation. When the newspaper is obliged to report on the death toll in Gaza, it deploys a fascinating artifice. After mentioning the number of dead, it invariably adds the caveat that it’s a number put out by the "Hamas-controlled Gaza Ministry of Health" who do not distinguish between civilian and combatant deaths.

What’s being insinuated here is simple: that the numbers can hardly be trusted, and that even granting they were accurate, they could very well include many killed militants as well. Does the NYT ever tell its readers that Hamas controls the ministry because Hamas happens to be the last legally elected government in Gaza? Or that the Hamas estimate is the only possible count in the circumstances, because Israel stubbornly bars foreign journalists, aid organisations and multilateral agencies from entering Gaza?

No, the paper never goes into all that unnecessary detail. But every time the Gaza death toll is mentioned, the NYT also mentions the number of Israeli civilians killed and taken hostage by Hamas on October 7, 2023. This "balancing" act is performed with remarkable precision in every report on Gaza.

When, for example, well-known Holocaust historian Omer Bartov writes an opinion column pronouncing Israel guilty of genocide in Gaza, the NYT promptly commissioned another article from Bret Stephens which is headlined 'No. Israel is not Committing Genocide in Gaza.'

But as important a place the NYT occupies among news media around the world, it can hardly claim the honour of being unique in reporting on Gaza.

Also read: When Telling the Truth Itself is Death Sentence

The day Anas al-Sharif was killed by Israel, Bild, Germany’s biggest newspaper, splashed al-Sharif’s photo under this headline: 'Terrorist Disguised as Journalist Killed in Gaza'. After push-back from some readers, that headline was modified to 'Journalist Killed Was Allegedly a Terrorist'. And only a week before that, Bild had published another report targeting Palestinian photographer Anas Zayed Fteiha; the headline ran: 'This Gaza Photographer Stages Hamas Propaganda'.

The newspaper accused Fteiha of fabricating images of starving Palestinian children as part of a Hamas misinformation campaign. Indeed in that article, Fteiha’s title as journalist appeared in quotation marks, implying that Bild did not consider him a real journalist. And soon enough, Israel’s foreign ministry amplified the Bild story, citing it as proof that Hamas was manipulating global opinion on Israel through operatives camouflaged as newsmen.

But Bild was capable of bigger things: last year it had helped Benjamin Netanyahu torpedo ceasefire talks by ‘leaking’ to Israel ‘excerpts’ from what it called – falsely, as it turned out – a Hamas approach paper to the negotiations that purportedly revealed Hamas’s unwillingness to end the war. Bild was hardly an outlier in Germany’s journalism space, however.

Around the same time the Bild story on Fteiha was published, Deutscher Journalisten-Vorband (DJV), one of the country’s largest journalists’ associations, issued a statement warning of ‘manipulation’ in press photography, calling into question images of emaciated Gaza children and claiming the children’s condition was “not attributable to a famine”. When challenged by some readers, DJV cited an article published in a Frankfurt daily which had speculated that the children shown in the images didn’t suffer from starvation but rather from “preexisting conditions such as cystic fibrosis”. Even the self-confessedly leftwing German press was not averse to this game of smoke and mirrors. Thus in January, 2025, Die Tageszeitung published a provocatively  headlined article, 'Can Journalists be Terrorists?', in which it did not speak with even a single journalist in Gaza even as it prominently featured comments from the Israeli military. The innuendo was unmissable. 

While the likes of the NYT and Bild have made misrepresentation and prevarication their trusted tools while reporting and commentating on the Gaza genocide, the BBC’s favourite fall-back has been self-censorship. In recent months, the broadcaster even refused to air two documentaries it had commissioned on Gaza. 

Gaza: How to Survive a Warzone was pulled from iPlayer after the BBC claimed it had discovered that one of the film’s narrators, a 13-year-old Palestinian boy, was the son of a Hamas official, a claim that the makers of the documentary denied having any knowledge about. And the broadcaster didn’t address the obvious question: did the film show real people living (and dying) under real  circumstances; and if it did, how did a narrator’s  supposed identity take away from that reality?

But, even more tellingly, the BBC dropped another documentary it had commissioned – Gaza: Doctors Under Attackon the specious argument that the film might create “a perception of partiality” (presumably to the Palestinians). This, despite the fact that the medics and the crew who participated in the film’s making had quite clearly risked their lives while shooting the documentary under relentless Israeli fire. The BBC’s defence of its decision to pull the plug on the film is breathtaking in its arrogant sanctimoniousness:

"…We have come to the conclusion that broadcasting this material risked creating a perception of partiality that would not meet the high standards that the public rightly expect of the BBC."

The blowback from current and former staffers was swift. Gary Lineker, legendary footballer and former presenter of the BBC’s very popular Match of the Day programme, minced no words. “I think the BBC should hold its head in shame,” he said.

More than two hundred current employees co-signed (with over 400 media personalities, actors and prominent public intellectuals) a stinging letter criticising the “political decision” to drop the film. The BBC, they said, was “an organisation crippled by the fear of being perceived as critical of the Israeli government”. A former BBC journalist, who had left in exasperation over the broadcaster’s craven abdication of journalistic responsibility over Gaza, wrote in the Guardian: “Editorial caution had become editorial cowardice”.

As far as the BBC was concerned, she wrote, “(i)mpartiality…Is about PR, optics and managing the anger of certain groups rather than following the evidence and championing robust journalism…”. In its comprehensive report on the BBC’s coverage of Israel’s war on Gaza, the UK’s Centre for Media Monitoring recognised “a systematic pattern: the minimisation of Palestinian suffering and perspectives and the amplification of Israeli narratives, victimisation and emotive stories”. An analysis of 35,000 pieces of BBC content, the CMM report noted, “shows Israeli deaths given 33 times more coverage, per fatality, and significantly more emotive language”.

Also read: Mohamed Salah Will Not Want to Follow the BBC on Gaza

Aside from these sneaky subterfuges mainstream Western news media have now written into their journalistic code, there are not infrequent instances of barefaced advocacy of the murderous Netanyahu regime as well. On August 17, 2025, CNN interviewed Ian Williams, president of the Foreign Press Association, based in Washington DC, on the killing, one week prior, of Anas al-Sharif and his colleagues. Williams made no secret of how he viewed these killings: as daylight thuggery. The CNN anchor was aghast: but didn’t Israel call these men Hamas operatives and showed ‘some documents’ to prove that? Williams said he couldn’t care less if the reporters were indeed associated with Hamas, for Israel had no right in all the world to target them in any event; also that he knew better than to take Israel at its word. The anchor looked shattered but was not giving up. “But many people would think that after Israel’s ‘disclosures’, these men were fair game for the Israeli military,” she insisted, leaving Williams in visible shock.

Admitted that this anchor was a particularly hateful specimen of an exceptionally poisonous genus of modern-day Western ‘liberal’ scribes and thankfully not every mainstream journalist is as bigoted and obtuse as her. But, in a very real sense, maybe even more harm is being done by journalists and news anchors who have been peddling their obnoxious pro-Israel narratives somewhat more subtly, artfully, so that readers are induced not to dismiss out of hand their reporting as completely unreliable.

Consider this Reuters report, on the killing of one of Reuters’s own photojournalists, headlined:

Issam Abdallah, a Reuters videographer, was killed while working in southern Lebanon.

Does this cleverly-crafted headline let the reader know that Abdallah was killed by Israeli forces? Of course it doesn’t, and that was the whole idea behind creating such a headline. “20 (or 30 or 40) die in Gaza” is a common enough editorial tool harnessed by Western media to take the sting out of any report on Israeli killing of civilians. Such instances are legion.  

It’s sad to contemplate the depths of depravity to which mainstream Western news media have sunk with their eyes wide open. In large measure, of course, this degeneracy mirrors the moral atrophy of the West’s political classes, but in some ways the media appear even more debased than the rulers, prompting many conscientious newsmen across Europe and the US to quit jobs held for many years. Here’s how Anne Boyer, poetry editor at the NYT, visualised her own resignation from the newspaper:

"Because self-expression is the status quo, sometimes the most effective protest by artists is refusal.

"I cannot write poetry amidst the ‘reasonable’ tones of those trying to normalize this unreasonable suffering. No more ghoulish euphemisms. No more verbally sanitised hellscapes, No more warmongering lies. 

"If this resignation leaves a hole in the news the size of poetry, then that is the true shape of the present."

Has Boyer’s resignation left a hole in the news the NYT serves up daily? One can never be very sure. 

Anjan Basu can be reached at basuanjan52@gmail.com.

This article went live on September first, two thousand twenty five, at thirty-two minutes past twelve at noon.

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