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Watch: 'Controversial' in India, Faiz's Immortal 'Hum Dekhenge' Still Evokes the Idea of Defiance

Sangeetha Sivakumar and Vignesh Ishwar
Aug 12, 2022
A Tamil version retains the spirit of the famous Urdu song, which was sung widely during the protests against the Citizenship Amendment Act.

The iconic Urdu poet Faiz Ahmed Faiz wrote Hum Dekhenge in 1979. The song has, since then, been sung in protests against oppressive regimes, acquiring new life during the protests against the Citizenship Amendment Act in 2019 and early 2020.

Its Tamil version ‘Naam Paarpome’ retains the spirit of the original and evokes an idea of quiet defiance.

It is sung here by Sangeetha Sivakumar and Vignesh Ishwar. Below is a translation of the Tamil lyrics.

‘Naam Paarpome’ 

We shall see

In my heart, we know, we shall see

We shall see.

 

One day, the dawn shall bring salvation

We shall see, We shall see that, We shall see.

 

The promise of the ancient word

We shall see, We shall see.

 

The power that weighs us down like a mountain

Will be blown away like dust, like lint.

 

In the march of the downtrodden

This world will sway and reverberate

The voice of those who dominate will be silenced by thunder and lightning

We shall see, we shall see.

 

When you experience the divinity inside you

There will be no schism, no hate

Those who could not stand together as one

Shall unite under the umbrella of kindness

The crowns will be shattered

The thrones will be dismantled

We shall see, we shall see.

 

The name of the Lord would endure forever

It would be shrouded, it would be replete

It is the scene, it shall be seen

It would be the resounding sound of your inner self

In you, and in me

All life would spring to attention

In that you shall be and I shall be

We will see, we will see

We will see.

(Translated from Tamil to English by Rajesh Garga.)

Sangeetha Sivakumar is a senior Carnatic musician, with more than 30 years of concert performances across the globe. Her music is known for its crispness, clarity of thought and presentation. For the past decade or more, Sangeetha sees her roles as a vocalist and educator as being only manifestations of her central belief that Carnatic music belongs to the larger societal canvas. Whether she is on the proscenium stage singing, or talking to young minds in schools, she shares the art with the heart of a dreamer, the mind of a scholar and the spirit of an activist.

Vignesh Ishwar is one of the leading young musicians of Carnatic music. A highly accomplished vocalist, he has been regularly featured in major festivals and venues, India and abroad and has won several prizes and awards. Holding a Masters degree in sound and music technology, Vignesh is also a volunteer and an integral part of many initiatives such as Svanubhava, Chennai Kalai Theru Vizha, Carnatic Music in Chennai’s Public Schools to name a few. Vignesh is a part of the core team led by his guru T.M. Krishna which is working hard towards supporting marginalised artists adversely affected by the pandemic.

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