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Power and Politics Are Now the Death and Life of Bengali Cinema
Amborish Roychoudhury | Udayan Ghosh
Full Text | 'Accept Equality and the World Improves – It’s Really Not Complicated': Saeed Akhtar Mirza
Sidharth Bhatia
Tom Stoppard and the India He Kept
Nikhil Kumar
‘Train Dreams’ Confronts Ecological Conservation, 20th-Century Capitalism Through a Faceless American Figure
Tatsam Mukherjee
‘Gustaakh Ishq’: A Modest Muslim Social Reclaiming Decency in the Age of Vitriol
Tatsam Mukherjee
'Zoya Akhtar and I Have Similar Values and Worldview But We Are Also Very Different People': Reema Kagti
Mihir Chitre
Veteran Actor Dharmendra Passes Away
The Wire Staff
Listen | The Wire Talks: 'Poetry Has Gone From Our Lives, But Hate Cannot Last Forever': Saeed Mirza
Sidharth Bhatia
'Homebound is About Vishwaguru, About How We Don’t Invest in Public Health and Education': Basharat Peer
Tatsam Mukherjee
Nirad Mohapatra’s 1984 Classic ‘Maya Miriga’ Returns to the Big Screen
Ashutosh Mishra
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