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Perpetrators Are Victims: We Are Seeing the Age of Sanitised History
Shweta Ahire
Full Text | Sort of Cuts Demanded of ‘Phule’ Will Deprive Film of Its Soul: Kancha Ilaiah Shepherd
Atul Ashok Howale
'Don't Cite My Book and Present Wrong Facts': Coomi Kapoor on Suing Makers of Kangana Ranaut’s 'Emergency'
The Wire Staff
Anurag Kashyap is Right. Indians Need to Confront the Uncomfortable Truth About Caste
The Wire Analysis
‘Khauf’ Brings to Life the Terror of Male Violence – Physical, Verbal and Emotional
Tatsam Mukherjee
I Don’t Agree With the Modifications the Censors Made to My Film on Phule: Ananth Mahadevan
Tatsam Mukherjee
Ambedkar's Growing Presence on Screen Inaugurates a New Chapter in Indian Cinema
Harish S. Wankhede
‘Warfare’ Feels Like a Sobering Admission of America’s Futile, Bloody Invasion of Iraq
Tatsam Mukherjee
Tamas and the Shadow Over Empuraan: A Nation Still Disturbed With Itself
Sridhar Radhakrishnan
Avinash Das’s ‘Inn Galiyon Mein’ Harks Back to a Simpler, More Sincere Bollywood
Tatsam Mukherjee
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