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‘Sholay’ at 50 Echoes Across Borders
Rajeev Shrivastava
'Sarzameen' is a Daft Bollywood Melodrama Oversimplifying Kashmir’s Militancy Problem
Tatsam Mukherjee
‘The Hunt’ Does More Than Just Bring Back Memories of Rajiv Gandhi’s Assassination 34 Years Ago
Seema Chishti
Guru Dutt, Raj Kapoor and the Golden Age of Hindi Cinema in the 1950s
Sidharth Bhatia
The Quiet Exodus: On Vinod Kapri's 'Pyre'
Radhika Bordia
Satyajit Ray's 'Ancestral' House: Dhaka Says 'No Connection' With Family
The Wire Staff
Superman Wants to Sound Grown-Up But Has a Child-Like Earnestness and Naivety
Tatsam Mukherjee
For Panjab ’95 Director, Dealing With Censor Officials Was Straight Out of Kafka
Tatsam Mukherjee
Materialists: A Heroine’s Journey
Paromita Ghosh
CBFC Asks for Name Change in 'Janaki v/s State of Kerala' Citing Religious Significance
The Wire Staff
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